Table of Contents
Foreword: Scope's Tenth Anniversary — Mark Gallagher and Julian Stringer
Introduction — Iain Robert Smith
PART I: Hollywood as Cinema and Artistic Imitation
Exploitation as Adaptation — I. Q. Hunter
The Character-Oriented Franchise: Promotion and Exploitation of Pre-Sold Characters in American Film, 1913-1950 — Jason Scott
Novelty Through Repetition: Exploring the Success of Artistic Imitation in the Contemporary Film Industry, 1982-2007 — Stijn Joye
Part II: Found Footage and Remix Culture
A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet — Eli Horwatt
Ethical Possession: Borrowing From the Archives — Emma Cocker
Music Videos and Reused Footage — Sérgio Dias Branco
Part III: Modes of Parody and Pastiche
From Cult to Subculture: Re-Imaginings of Cult Films in Alternative Music Video — Brigid Cherry
Queering the Cult of Carrie: Appropriations of a Horror Icon in Charles Lum's Indelible — Darren Elliott
Irony Inc.: Parodic-Doc Horror and The Blair Witch Project — Jordan Lavender-Smith
Part IV: Transnational Screen Cultures
A Marxist's Gotta Do What a Marxist's Gotta Do: Political Violence on the Italian Frontier — Austin Fisher
"Tom Cruise? Tarantino? E.T.? ...Indian!": Innovation through Imitation in the Cross-Cultural Bollywood Remake — Neelam Sidhar Wright
"La Television des Professeurs?": Charles Dickens, French Public Service Television and Olivier Twist — Pamela Atzori